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      <image:title>Home - a community-based writing center for artists and designers</image:title>
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    <loc>https://writingspacechi.com/contact-1</loc>
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    <lastmod>2019-03-15</lastmod>
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    <loc>https://writingspacechi.com/testimonials</loc>
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    <lastmod>2024-08-30</lastmod>
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    <loc>https://writingspacechi.com/writerinresidence</loc>
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    <lastmod>2026-02-20</lastmod>
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      <image:title>Writer-in-Residence - Laura Bernstein</image:title>
      <image:caption>Bernstein’s interdisciplinary practice incorporates pageantry, sculpture, stop-motion animation and installation to build theatrical characters and worlds that draw from the past–folktales, natural histories, and medieval illuminated manuscripts—to probe the present and imagine alternative futures. Her work aims to question how systems of classification shape behavior, how the observer and the observed, human and animal, are defined and redefined within the context of a rapidly changing climate. During the residency, Laura will develop a script for a performance-lecture and animation that weaves together medieval fables about women and power. She will use speculative fiction to expand the inner lives of the characters featured within art historical objects such as ivory boxes, chalices, aquamanilia, and etchings. The project will also explore how these various reproductions of objects and works of art functioned like early memes, proliferating fantastical and entertaining narratives while revealing the fears, anxieties and beliefs of the time. _______________________________________ Phyllis riding Aristotle, 2024, papier-mâché, paperclay, cardboard, acrylic paint, alcohol ink, fabric, ribbon, aluminum wire, wire mesh, steel pipes, wood, shards of mirrored glass, Selfie stick, iphone with stop-motion animation 3:10 (color, sound)  70 x 30 x 75 ins.</image:caption>
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      <image:title>Writer-in-Residence - Tali Keren</image:title>
      <image:caption>is a multidisciplinary artist and filmmaker working across experimental documentary, performance, and installation. Her practice examines invisible mechanisms of empire, tracing how ideology materializes through law, infrastructure, and theology. Working with video, sound, archival research, and alternative mapping, she translates these systems into visual and narrative forms grounded in lived experience across human and more-than-human worlds alike. Rooted in collaboration, pedagogy, and cross-disciplinary dialogue, her work aims to forge new forms of collectivity and political imaginaries. During the residency, Tali will develop the script and narrative arc for Delta/Desal: A Border Ecology, a multi-channel video installation that traces the entangled histories of the Ciénega de Santa Clara and the Yuma Desalting Plant. Moving between archival sources, observational documentary, and non-human and inanimate characters, the work follows the emergence of the Ciénega as an unintended wetland formed from saline agricultural drainage in the wake of a 1970s cross-border salinity crisis. By linking these sites, the project stages the delta as a contested ecology shaped by settler-colonial mythmaking, geoengineering, and the techno-utopian futurism of 1970s infrastructure.</image:caption>
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  <url>
    <loc>https://writingspacechi.com/past-writersinresidence</loc>
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    <lastmod>2026-01-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a81b079b1ffb6727da005af/7dcaaef0-1c61-49da-bfeb-b65b974d36a0/Dana_Image.jpg</image:loc>
      <image:title>Past Writers-in-Residence - Dana McCormick</image:title>
      <image:caption>September-December 2026 Dana worked on a series of essays explicating the police department’s relationship to and violence upon a suburban community. Through parsing court documents, exploring local history, conducting interviews, and soliciting personal narratives, the project compels readers to track the connections between public policy, violence, history, and the criminal justice system, and then on to steps that can be taken to repair some of the damage inflicted on communities by police violence.</image:caption>
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      <image:title>Past Writers-in-Residence - Olive Stefanski</image:title>
      <image:caption>September-December 2025 What is Jewish Art and what are the possibilities for what Jewish art can be or do? Olive worked on a series of essays addressing these questions and inspired by failures, contradictions, and edges revealed within the study of the ineffable in their studio practice.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a81b079b1ffb6727da005af/519419e5-dbf8-444b-b12b-7f002a7eb9d0/luiza_fefu.jpg</image:loc>
      <image:title>Past Writers-in-Residence - Luiza Dale</image:title>
      <image:caption>May-August 2025 Dale worked on a play tracing the experiences of a group of students and a teacher who gather twice a week for an introduction to visual art class. In art class, participants look at the art. This play asks people to look at the participants.</image:caption>
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      <image:title>Past Writers-in-Residence - Chris Domenick</image:title>
      <image:caption>May-August 2025 Chris developed a manuscript comprising stories and texts on, of, and about art handling. The texts include fictional accounts of a day at work, experimental manifestoes on the built environment, glib descriptions of the stewards of high-end cultural commodities, and uncouth interactions of independent contractors. These stories focus on the culture surrounding the art object: they deal with class, masculinity, community, the professionalization of the art world, and the various invisible labor latent in high culture and its contexts.</image:caption>
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      <image:title>Past Writers-in-Residence - B. Ingrid Olsen</image:title>
      <image:caption>May-August 2025 Olson collected, reviewed, edited, and drafted notes about her artwork, studio process and life. Further developing a practice of writing in tandem with making visual art, she honed the act of journaling, or sketching—whether to explicate the underpinnings of an artwork, or to simply mark seemingly mundane encounters or experiences.</image:caption>
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      <image:title>Past Writers-in-Residence - Veronica Graham</image:title>
      <image:caption>January-April 2025 Graham developed Prop Comic: an act in which the “props” are forms of technology, nets not networks, that the performer is getting tangled in and at the same time trying to detangle. The act is filled with small details, the audience is given a number of choices for what to pay attention to. None of great importance but they keep coming like a series of tableaus. These details form a pile and that's when they start meaning something.</image:caption>
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      <image:title>Past Writers-in-Residence - Katz Tepper</image:title>
      <image:caption>January-April 2025 Katz developed their essay, “Stupid Stupid Unsubtle Stupid,” which draws from autotheory, prose poetry, stand up comedy, and performance to illuminate a web of associations and critical questions emerging from the true story of the writer’s bathtub filling with feces. The essay writes into the feces-filled-bathtub event to consider disability’s capacity to rupture the everyday, and in so doing, to gesture toward an otherwise.</image:caption>
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      <image:title>Past Writers-in-Residence - Liat Berdugo</image:title>
      <image:caption>September-December 2024 Liat worked on an expansion of her 2023 project and artist book titled Seeing it for the Trees, which critically examines the role of forests in the formation and maintenance of Zionism as a settler-colonial project. In this work, Liat unpacks archival photographs from the Keren Kayemet L’Israel - Jewish National Fund, alongside personal family photos, to ask what a close reading of images can untangle about land, ecology, and nationalism. Central to this project is the question of how to make creative work as a parent, and how questions of family legacy become more urgent upon having a child.</image:caption>
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      <image:title>Past Writers-in-Residence - Erin Elder</image:title>
      <image:caption>September-December 2024 Erin refined the manuscript for Into the Folding Swell, an illustrated work of creative nonfiction that takes place in the canyon country of southeast Utah amid coal mines, military bases, Mormon settlements, National Parks, powerful rivers, enormous rock bodies and unpredictable weather. The story connects black bears, cottonwoods, and landforms of distinct places to broader stories of drought and development, prophecy and redemption, impact and obsolescence.</image:caption>
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      <image:title>Past Writers-in-Residence - Sara Greenberger Rafferty</image:title>
      <image:caption>September-December 2024 Sara worked on a book chronicling images and image-objects that she has used, quoted, reproduced, and represented in her decades-long art career, which spans the dawn of the twenty-first century. In many cases, the pictures conjured – and their cultural significance and meanings – are vestiges, leftovers from a previous import. It’s a book about work, and caring about the world.</image:caption>
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      <image:title>Past Writers-in-Residence - Allison Yasukawa</image:title>
      <image:caption>September-December 2024 Allison worked on a book of creative nonfiction about multilingualism and creative practice in US and Canadian art and design schools. This collection of essays brings together multiple voices, references, and forms to think beyond the monolingual-multilingual binary and explore language’s liberatory potential in the art/design classroom.</image:caption>
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      <image:title>Past Writers-in-Residence - Efrat Hakimi</image:title>
      <image:caption>May-August 2024 Efrat developed an artist book drawing from her family histories of Arab-Jewish diasporas to reimagine material knowledge lost with immigration and dislocation. She used writing to generate new and imagined visual narratives, trace connections between life and work, past and present, and peer through the gaps in Jewish narratives, ancient and contemporary, to consider the ideas and questions that her work points at but cannot touch.</image:caption>
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      <image:title>Past Writers-in-Residence - Marie Warsh</image:title>
      <image:caption>May-August 2024 Marie worked on writing about growing up in New York City in the 1980s, focusing on the neighborhoods, parks, and playgrounds that she spent time in. The writing focused on her perspective as a child and incorporated history, memory, archival materials, and contemporary experience and investigation.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a81b079b1ffb6727da005af/bb700359-95c6-4ee4-995a-08fee3b9b2b7/Irina_Image.jpg</image:loc>
      <image:title>Past Writers-in-Residence - Irina Botea Bucan</image:title>
      <image:caption>January-April 2024 Irina developed an artist book examining the Eastern European Cultural Houses model through the lens of what she calls the roommate-image. This approach involves an 'entangled' method of generating and interpreting images, emerging from her research into the historical model of the institution itself.</image:caption>
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      <image:title>Past Writers-in-Residence - Colleen Keihm</image:title>
      <image:caption>January-April 2024 Colleen created two works about empathy and accommodation that envision a more thoughtful workplace. Through interviews with current and formerly pregnant people as well as her own personal experience, the works highlight adjustments that are temporary for pregnant people, encourage a holistic look at ways of engaging with mobility and care, and suggest how reaching out during times of need is an exhibition of kindness.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a81b079b1ffb6727da005af/039ad2af-d820-4974-91e6-8c166e3db91f/IMG_5040+%281%29.jpg</image:loc>
      <image:title>Past Writers-in-Residence - Molly Zuckerman-Hartung</image:title>
      <image:caption>September-December 2023 Molly’s residency project expanded an essay on mess, disorder and process into a book-length exploration of painting's roots in sensation, disorganization and poetics. Material—greasy paint, nubby fabric, sparkly glitter, seat-less chairs, and empty shelves—haunt our digital, data-based information society that values the "well-organized" above all else. This writing project follows poetics, finding connections between language as material (words as sound, letters as shapes) and metaphor.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a81b079b1ffb6727da005af/aa2cbe36-fd19-42da-bcdd-23afe478c32c/Max-Guy-But-Tell-Me-UAS-064-Corrected+%281%29.jpg</image:loc>
      <image:title>Past Writers-in-Residence - Max Guy</image:title>
      <image:caption>September-December 2023 Max’s residency project focused on developing narrative text for an installation about a formative encounter and friendship with another black boy in New York City during the late 1990s, and the profound impact of globalization, tech optimism, and cultural exports from Asia Pacific—namely Japan and counterfeit products from China—on their identities as black millennials in America. By intertwining personal experiences with these larger forces, Max’s project seeks to create a nuanced and complex portrayal of identity formation within the broader societal and political landscape of the late 20th century.</image:caption>
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      <image:title>Past Writers-in-Residence - Alex Chitty</image:title>
      <image:caption>May-August 2023 Alex developed a collection of essays to accompany a body of photographic sculptures created over the course of a decade. Research for this project included a range of interconnected topics from the evolution of google image search, the history of still life painting, feminist architecture and the role of zombies in our contemporary psyche. Both the sculptural works and the essays point to the potential failures of representation—the infinite attempts and inevitable impossibilities of accurately capturing, quantifying, and preserving the life that is present.</image:caption>
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      <image:title>Past Writers-in-Residence - Alex Goldberg</image:title>
      <image:caption>January-April 2023 As both a healing arts practitioner and an educator of art and design, Alex works in responsive practice allowing each of these positions to inform one another in pursuit of repairing the fracture between artist and healer. During her residency, Alex developed a workbook that calls on exercises from both her classrooms and her client work, giving participants a structure for reconnecting with their creative practice to support long-lasting shifts in patterns of thought and behavior.</image:caption>
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      <image:title>Past Writers-in-Residence - Elizabeth Lalley</image:title>
      <image:caption>January-April 2023 Elizabeth drafted a short ghost story set in a flower shop, drawing on influences from contemporary auto-fiction to explore the parallels between hauntings, unfinished creative work, and the process of mourning.</image:caption>
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      <image:title>Past Writers-in-Residence - Tirtza Even</image:title>
      <image:caption>September-December 2022 Tirtza worked on an artist book that weaves writings from and about some of her more personal projects, with images from these projects, alongside reflections on auto-ethnography more generally, as well as on artists and writers who have influenced her work.</image:caption>
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      <image:title>Past Writers-in-Residence - Shabtai Pinchevsky</image:title>
      <image:caption>September-December 2022 Shabtai began work on his first artist book. The book is based on his research and creative work with an archival collection of passport images taken during the first organized immigration from Yemen to the State of Israel, in 1949. The work traces the painful story of the 1949 Yemenite immigration while contemplating the issues that emerge when working with archival material in the context of Israel / Palestine.</image:caption>
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      <image:title>Past Writers-in-Residence - Daniel H. Walden</image:title>
      <image:caption>January-April 2022 Daniel’s project developed as a response to the pandemic and the difficulties it prompted in terms of isolation and conducting outreach. His work asked: what could a project look like that’s intended to focus on sharing creative output, with an aim to help reestablish connections and emerge from the isolation of the pandemic?</image:caption>
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      <image:title>Past Writers-in-Residence - Shane Rothe</image:title>
      <image:caption>September-December 2021; January-April 2022 Shane worked on a novel set in a veiled mid-west, where ghosts accompany a family submerged in a flume of corporeal memories. Water-logged and desperate for a witness, each person attempts to define their life against the narrative given by their ethereal companion. The ghosts have their own desires and obligations for the stories they tell, driven by a fear of closure.</image:caption>
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      <image:title>Past Writers-in-Residence - Caitlin Ryan</image:title>
      <image:caption>January-March 2020</image:caption>
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      <image:title>Past Writers-in-Residence - Frances Lee</image:title>
      <image:caption>June-October 2019</image:caption>
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  </url>
  <url>
    <loc>https://writingspacechi.com/about</loc>
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    <lastmod>2023-05-22</lastmod>
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      <image:title>ABOUT - What We Do</image:title>
      <image:caption>Writing Space offers artists and designers access to workshops, one-on-one project consultations, and a community to help with all forms of writing, including project statements, cover letters, press releases, essays, books, and creative projects.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a81b079b1ffb6727da005af/1631127886940-AJUZ7KLI3L02R1EYS9SD/Taft_Portrait_cropped.jpg</image:loc>
      <image:title>ABOUT - Who We Are</image:title>
      <image:caption>MAGGIE TAFT FOUNDING DIRECTOR Maggie Taft has been teaching writing for over ten years. Trained to teach at the University of Chicago and Washington University in St. Louis, she has led workshops, instructed one-on-one, and edited the work of professional writers. Before establishing the Institute, Maggie earned a PhD in art history from the University of Chicago, where her dissertation "Making Danish Modern, 1945–1960" received the 2015 Dean's Distinguished Dissertation Award in the Humanities. From 2014–16 she served as Andrew W. Mellon Postdoctoral Fellow in Modeling Interdisciplinary Inquiry at Washington University in St. Louis. Taft's writing and reviews have appeared in many magazines and journals including Artforum, The Point, Texte Zur Kunste, Design and Culture, and The Journal of Design History. She is coeditor of Art in Chicago: A History from the Fire to Now (University of Chicago Press, 2018), the first single volume history of art in Chicago from the nineteenth century through the present day. Her book, The Chieftain and the Chair: The Rise of Danish Design in Postwar America is out now from the University of Chicago Press.</image:caption>
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  </url>
  <url>
    <loc>https://writingspacechi.com/design-writing-fellowship-faqs</loc>
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    <lastmod>2026-01-22</lastmod>
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      <image:title>Design Writing Fellowship FAQs</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://writingspacechi.com/design-writing-fellowship-application-process</loc>
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    <lastmod>2025-12-02</lastmod>
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      <image:title>Design Writing Fellowship Application Process</image:title>
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  <url>
    <loc>https://writingspacechi.com/design-writing-fellowship</loc>
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    <lastmod>2025-09-01</lastmod>
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      <image:title>Design Writing Fellowship</image:title>
    </image:image>
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      <image:title>Design Writing Groups - Make it stand out</image:title>
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    <loc>https://writingspacechi.com/design-writing-groups-application-process</loc>
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    <loc>https://writingspacechi.com/design-writing-fellowship-past-fellows-2022</loc>
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      <image:title>Design Writing Fellowship Past Fellows 2022 - Make it stand out</image:title>
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    <loc>https://writingspacechi.com/design-writing-groups-past-participants</loc>
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      <image:title>Design Writing Groups Past Participants - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://writingspacechi.com/rapid-residencies</loc>
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      <image:caption>(January 2025) Alex Goldberg is a Brooklyn based multidisciplinary artist and healing arts practitioner exploring the intersection between creativity and wellbeing. During the Rapid Residency, Alex will work on a children’s book about nature, seasons, change, relationships and community. The story is inspired by a trip to Mine Kill State Park, the energy healing modality SourcePoint Therapy, and a journal that her mother wrote to her on her deathbed. As a long time educator with a deep love for learning from children, Alex has been interested in sharing the principles of SourcePoint therapy with kids. As a new mom, she began to find the words for this story during contact naps and late night rocking. ________________________________________ Mother Maple #1, Watercolor, 2025</image:caption>
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      <image:title>Rapid Residencies - Ashley Culver</image:title>
      <image:caption>(May 2025) Ashley Culver is an artist and writer based in Tkaronto/Toronto. Her work is in conversation with domestic space and desire for connection. She writes the column Alt-Arts, which profiles alternative art spaces in Toronto and the people who make them, for Cornelia Magazine. During the Rapid Residency, Culver will revise a personal essay about her quest to find matching bedside tables when moving into a new apartment with her girlfriend. It is about lesbian relationships, making our own milestones as queers, and creating a home of one's own. ________________________________________ I am thinking of the onion again, C Print, 24" x 36", 2021</image:caption>
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      <image:title>Rapid Residencies - Caitlin Ryan</image:title>
      <image:caption>(March 2023) Caitlin Ryan is a Chicago-based interdisciplinary artist and filmmaker. Her work explores the nuances between comedy and humor, specifically using the vernacular of the uncanny to investigate systems of anthropology. During the Rapid Residency, Ryan will put together a small publication of drawings and poems she's been working on over the past few years.  ________________________________________ Fran Lebowitz on David Letterman</image:caption>
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      <image:title>Rapid Residencies - Nicole Mauser</image:title>
      <image:caption>(December 2022) Mauser’s paintings and installations investigate tensions at play between color fields, materiality, and gestures within a language of abstraction. Currently, she lives and works in Chicago where she is a Lecturer at The University of Chicago in the Department of Visual Art and co-organizes Space &amp; Time gallery. During the Rapid Residency, Mauser developed a third 'zine edition pdf on research related to painting interests in the studio. ________________________________________ Color Memory, 2018, mdf shelf with edition of black and white ‘zines comprised of studio and painting research for viewers to take away</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://writingspacechi.com/design-writing-fellowship-past-fellows-2023</loc>
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      <image:title>Design Writing Fellowship Past Fellows 2023 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://writingspacechi.com/professional-writing-reference-library</loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://writingspacechi.com/annual-report-text-1-mentor</loc>
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